- Etude D flat major KK IIb, 3,3
- 피아노 6 중
*2015 이화여대 정시 실기
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Henle: Chopin - Etuden for Piano solo
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| Seller Product Code | HN124 |
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FRÉDÉRIC CHOPIN
Etudes
Ewald Zimmermann (Editor)
Hermann Keller (Fingering)
Urtext Edition, paperbound
페이지 136 (X+126), 사이즈 23,5 x 31,0 cm
무게 527 g
HN 124 · ISMN 979-0-2018-0124-7
쇼팽은 1833년과 1837년에 각각 출판된 두 개의 에튀드 작품 10번과 25번을 통해 정말 대단한 일을 해내는 데 성공했습니다. 아마도 그 이전에는 그처럼 음악적으로 높은 경지에 도달한 테크닉 연습곡을 작곡한 사람은 아무도 없었을 것입니다. 쇼팽의 에튀드는 콘서트홀을 위해 작곡된 긴장감 넘치는 성격의 곡입니다. "혁명적 에튀드"와 같은 오랫동안 사랑받는 곡을 포함하여 작품 10번과 12번은 피아니스트의 핵심 레퍼토리에 속합니다. 두 개의 연곡 작품 10번과 작품 25번 외에도 1840년 쇼팽이 파리의 피아노 방식을 위해 작곡한 작품 번호가 없는 세 개의 에튀드도 포함되어 있으며, 24개의 대작과 견줄 수 있는 서정적 소품을 감상할 수 있습니다.
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Chopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “Revolutionary Etude” op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles op. 10 and op. 25, our Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.
Chopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “Revolutionary Etude” op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles op. 10 and op. 25, our Urtext edition also contains three Etudes without opus number, which Chopin composed for a Parisian piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.
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