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Carl Fischer: Ear Training For Trombone by David Vining

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Product	Carl Fischer: Ear Training For Trombone by David Vining
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Ear Training for Trombone

Composed by David Vining

Instrumentation: Trombone

Item Number: WF83

Number of Pages: 64

Publisher: Carl Fischer Music

*Song Lists*

Foreword by John Marcellus

Introduction

About David Vining

I. Preliminary Studies

1. Basic Pitch Matching (1)

2. Basic Pitch Matching (2)

3. Basic Pitch Matching with No Rest Before Singing

4. Basic Pitch Matching: Scale-wise

5. Two Familiar Songs

6. Ode to Joy from Symphony No. 9

II. Intermediate Studies

7. Scale-wise C Major

8. Scale-wise Major/Minor

9. Scale-wise Ab Major

10. Amazing Grace

11. Scale-wise Ab Major

12. Scale-wise C Major and A Minor

13. Scale-wise Eb Major: Singing Every Other Note

14. Scale-wise A Major

15. Danny Boy

16. Scale-wise Major/Minor: Singing Every Other Note

17. Scales and Arpeggios

18. E-Minor Chant

19. D-Dorian Chant

20. O Come, O Come Emmanuel

III. Advanced Studies

21. Eb Major Arpeggio

22. Major/Minor Scales

23. Sonata in F (Movement I)

25. Scales/Arpeggios/Thirds: D Major/B Minor

26. Etude in F Major

27. Natural Slurs

28. 'Tis the Gift to be Simple

29. Circle of Fourths

30. Interval Study

31. F Major Intervals

32. Diminished Triads

33. Octatonic Scale

34. Whole Tone Scale

IV. Intervals

35. Scale-wise Widening Intervals

36. Chromatic Widening Intervals

37. Chromatic Intervals

38. Thirds (1)

39. Thirds (2)

40. Fourths

41. Fifths

42. Ascending Sixths

43. Descending Sixths

44. Ascending Sevenths

45. Descending Sevenths

46. Tritones

47. Wide Intervals

48. Random Intervals

V. Arpeggios

49. Major Arpeggios (1)

50. Major Arpeggios (2)

51. Minor Arpeggios

52. Major and Minor Arpeggios (1)

53. Major and Minor Arpeggios (2)

54. I-IV-V7

55. I-IV-ii-V7

56. I-IV-V Inverted

57. ii-V-I Jazz Style

58. Diminished Arpeggios

59. Augmented Argpeggios

60. Dominant-Seventh Arpeggios

61. Seventh Arpeggios

62. Mixed Arpeggios

VI. Melodious Etudes: Bordogni

63. No. 2

64. No. 5

65. No. 6

66. No. 12

67. No. 15

VII. Orchestral Excerpts

68. "Tuba Mirum" from Requiem, K. 626

69. "Adagio" from Symphony No. 3 (Organ)

70. "Hungarian March" from Le Damnation de Faust, Op. 24

71. Bolero

Ear Training for Trombone is one of the first methods to integrate performance on the instrument with singing to enable the player to internalize the music. Written by David Vining, a leading brass educator with extensive orchestral, chamber, and solo performance experience, Ear Training for Trombone is a comprehensive and progressively organized method for improving the ear of students on any brass instrument. In turn, this brings marked improvement in tone, intonation, pitch accuracy, and musical understanding. The book contains more than 70 exercises in pitch, scales, arpeggios, and intervals, including melodious etudes and orchestral excerpts. A brass equivalent of the ear training method is long overdue, and this book is appropriate for not only young students, but brass students of all ages.

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